it’s been 1 year since the most influential event of all time
(artist photo from Toy’s Factory site)
Ito Kashitaro’s first full album, “Ichiisenshin” (to do something wholeheartedly), that releases January 22, 2014! He uploaded the second crossfade for it here, and also revealed the jacket cover above! He plans to reveal the full track list on December 20.
- Pierrot / Hayashi Kei
- One Step Ahead / Hayashi Kei (original song)
- Melancholic / Junky
- Yuudachi no Ribbon / MikitoP
- HEAVEN / Harry
- Kuusou Dance / 40mP (original song)
- rebirthday / Ito Kashitaro (original song)
- Calc. / Jimmy ThumbP
- Hero Mask / buzzG (original song)
- START / Lefty MonsterP
Tokuten info under read more!
Had my final paper today, which means I’m done with the first sem for uni! Time to enjoy this freedom!
Yuzu x Katori Shingo - Sakuragicho
One of the best collab for this year’s FNS.
Shingo~~ Who would have known his voice can blend so well with Yuzu’s? The harmonica at the end was a nice touch. And the song is so nice it makes you want to start tapping your feet/nodding your head to the rhythm. Every single one of Yuzu’s songs released this year are soooo good. Proud of them all :)
チョット・マッテ・クダサイ ゴールデン・ハーフ Chotto Matte Kudasai. 1971.
In light of the recent news of a Attack On Titan live-action movie, people have been increasingly interested in the ending of this popular series by Isayama. In a recent interview Isayama stated:
"I originally wanted an ending that would leave shadows in the readers’ psychological views (this is the exact translation, but the meaning goes along the lines of leaving a pained, kind of twisted impression). For example, in the movie The Mist, there is a scene where they killed off everyone that was seen without any diffentiation (aka people killed regardless of what role/morals they had), at the time I wanted an ending similar to that. But now there’s been a lot of support since the anime, I feel as if I can’t draw such criminal-minded, malicious material, and I’m beginning to doubt if I want an ending like this as well.”
Isayama did also mention that the ideas for the endings were flexible, and when he drew he also had new characterizations and some “characters did things he never thought of”. He wants to change his original idea for the ending, but at the same time, very hesitant.
translated by me / source